Students may pursue a Bachelor of Music Education (B.M.E.), a Bachelor of Science (B.S.) in Music and an Outside Field or a B.S. in Music Therapy with guitar (L300) as their principal instrument.
Guitar students qualify for L300 by audition. The instructor will interview the student, usually by telephone, to determine whether or not the candidate is ready to meet the audition requirements. Students who do not have a strong classical background and are not ready for the L300 audition may audition for L200. L200 admits the student on a pre- music major standing. L200 students are allowed to study at that level for two semesters to prepare for completing a successful guitar concentration (L300) audition.
L300 audition requirements:
In the audition the student must demonstrate a basic command of classical technique, including left- and right-hand position, right-hand alternation, rest and free stroke, and use of the nails. The student must also show an understanding of phrasing, dynamics, articulation, timbre and other facets of interpretation. All audition pieces are to be played up to tempo. At least one piece must be in a fast tempo. Also, L300 candidates are required to perform on a nylon-string classical guitar. The instructor must approve the candidate’s instrument before they can be admitted to the L300 level.
To be admitted to the L300 level the student must demonstrate facility in reading and performing pieces that have the following characteristics:
The candidate must have completed all material in Aaron Shearer’s Classic Guitar Technique, Vol I and through p. 140 of Frederick Noad’s Solo guitar Playing, Vol. I, or acquired an equivalent level of proficiency. In addition, the candidate must be able to perform all major scales in first position.
Noad, Frederick, Solo Guitar Playing Vol. I, Schirmer Books. Page 140 to end. Noad, Frederick, Anthology Series – Renaissance, Baroque, Classic, Romantic Noad, Frederick, 100 Graded Studies Carcassi, Matteo, 25 Melodic and Progressive Studies, Op. 60 Brouwer, Leo, Etude Simples 1- 20. Sor, Fernando 20 Studies (Segovia Edition) Chilesotti, Oscar, Six Pieces of the Italian Renaissance Milan, Luis, Six Pavans Bach, J.S. Selected movements from Cello or Lute Suites Royal Conservatory of Music, Guitar Series Frederick Harris Music. Vol. 3 or higher.
Continuing Lecturer, Director of Strings, guitar
IPFW Department of Music
Rhinehart Music Center, Room 211
2101 E. Coliseum Blvd.
Fort Wayne, IN 46805
Applicants shall perform two contrasting works or movements. Examples of acceptable repertoire include an etude, sonata or concerto movement, or movement of a Suite for Solo Cello by J.S. Bach. The repertoire performed should demonstrate the applicant's highest level of technical and musical ability. Major scales (2 or 3 octave), sight-reading and aural perception will also be included in the audition. When calling to schedule your audition, indicate to the music secretary whether an accompanist will be needed for the audition. An accompanist can be provided at no cost.
Ms. Melita Hunsinger
Applicants should be prepared to perform one etude and one solo piece, or two contrasting movements from an extended solo piece. Major scales (2 or 3 octave), sight-reading and aural perception will also be included in the audition. When calling to schedule your audition, indicate to the music secretary whether an accompanist will be needed for the audition. An accompanist can be provided at no cost.
Mr. Derek Reeves